Putting together Saturday’s anime reflections took over a week to watch and complete because I was behind from the start. I’m happy to report that I’m officially up to date with the season’s Saturday releases! I finally caught up on three weeks’ worth of Saturday releases. I had a whopping eleven anime when I started going through the day’s anime, and now we’re up to twelve anime, over 35 episodes for me to get through (well, fourteen anime if we include Black Butler, but I’m behind on that, so I’m holding off for now). There are a few that I also decided not to cover this time around.

The twelve Friday seasonal anime I am watching:

Here are five of the seasonal anime that are airing on Fridays, and I’m watching and reviewing them on Saturdays. Here is the rating system for my reviews:

• ⭐⭐⭐⭐⭐ Exceptional: A masterfully executed episode that hits every note, emotional, visual, and narrative. Leaves you stunned, buzzing, or emotional after the credits. Deserves highlighting.
• ⭐⭐⭐⭐☆ Great: A strong, thoroughly enjoyable episode with charm, polish, and creativity. It may not blow your mind, but it’s executed with care and leaves a warm impression. Still space to grow.
• ⭐⭐⭐☆☆ Solid: Pleasant and entertaining, but perhaps playing it a little safe, or has noticeable pacing or tonal issues. Might not linger in your mind after.
• ⭐⭐☆☆☆ Below Average: Some elements work, but it’s weighed down by inconsistencies, lack of direction, or weak emotional payoff. Might disappoint if you were expecting more.
• ⭐☆☆☆☆ Poor: Messy, unengaging, or fundamentally broken in tone or delivery. Rare, but not impossible.

Each title below is linked to its respective section, so feel free to jump straight to the one you’re following or most curious about:

1. Anne Shirley (4/5)
2. Classic★Stars (5/5)
3. Everyday HOST CLUB (3/5)
4. Food For the Soul (4/5)
5. From Old Country Bumpkin to Master Swordsman (4/5)
6. I’ve Been Killing Slimes for 300 Years and Maxed Out My Level (4/5)
7. I’m the Evil Lord of an Intergalactic Empire! (/5)
8. Kaijuu Sekai Seifuku (5/5)
9. Kowloon Generic Romance (5/5)
10. Mono (3/5)
11. Unexpectedly Naughty Fukami (5/5)
12. YAIBA: Samurai Legend (5/5)

This lineup will shift as the season progresses. Some shows might drop off, and others could be added as more anime is released in the coming weeks. Each week will be a little different, and to me, that is part of the fun!

The scores you see above reflect my overall impressions of the latest episode I watched for each anime. In the sections that follow, I’ll break down what stood out (for better or worse), from story progression and animation quality to character development and emotional impact.

Let’s dive into the episode impressions!

Anne Shirley

• Episode 1: It’s Such an Interesting World
• Release date: 5 April 2025
• Crunchyroll
• Episode Score: ⭐⭐⭐⭐⭐ (5/5)
  • A moving introduction to Anne’s world, where beauty, heartbreak, and resilience quietly bloom together.

This first episode swept me away in the best kind of slow, scenic way. The backgrounds are like a storybook come to life—soft brush textures, hand-painted skies, and countryside vistas that glow with warmth. Visually, it’s stunning. But what really pulled me in was Anne Shirley herself, all braids, freckles, and boundless chatter. She talks and dreams like her life depends on it, and honestly, maybe it does. Watching her arrive full of wonder and expectation, only to be told she wasn’t wanted because she’s a girl, was absolutely heartbreaking. I didn’t expect to feel this emotional so soon. Matthew, sweet and quiet as he is, immediately sees something special in her, while Marilla… well, she’s colder at first, but not cruel, just stubborn and practical. Their dynamic feels real, not overly sweetened. When Marilla takes Anne to Mrs. Blewett and sees how horribly she’d be treated, the shift in her heart hits hard. It’s a parenting story in disguise, about usefulness, value, and recognising a child as someone to care for, not to use. Anne’s dialogue is a lot, but her energy is infectious. There’s something timeless about her, this fiery little girl who’s been passed around and rejected, and still manages to dream out loud. I’m genuinely excited to watch her find a home, one stumble at a time. Found family stories always get me, and this one’s shaping up to be a beautifully animated, emotionally rich ride. Personally, I think the pacing is great. They are showing the main events and emphasising each of Anne’s actions. In this episode, we first had the problem with the brooch, which ended up being okay, and Anne’s rage at school. For me, both were presented in a coherent way. I’m referring to the pacing, which is great even though some less important topics were cut from the original material.

Verdict: The premiere episode sweeps you into Anne’s inner world and Avonlea’s picturesque charm with all the grace of a storybook brought to life. Between Matthew’s gentle warmth and Marilla’s reluctant heart, you’re pulled into a family dynamic that feels raw and real. Anne’s chatter might be relentless, but every word is rooted in a need for connection, and that makes her incredibly easy to love. Her rejection stings, her wonder is contagious, and her refusal to stop dreaming even when everything hurts. That’s what makes this such a promising start.

• Episode 2: I Love Pretty Things
• Release date: 13 April 2025
• Episode Score: ⭐⭐⭐⭐⭐ (5/5)
  • Anne finds friendship and family in a heartfelt chapter about first chances and second beginnings.

This episode was such a warm, gentle breath of fresh air. Watching Matthew try to sneak around Marilla was unintentionally hilarious; there’s no way she didn’t know, but she let it slide, which says a lot about their quiet, unspoken understanding. I loved seeing their nightly chats over tea; it gave such a strong sense of an old, deeply rooted bond, and honestly, I hope my own marriage feels like that someday. The slow shift toward a real family dynamic between them and Anne was the heart of this episode, and it truly moved me. The way they’re beginning to care for each other, not out of obligation, but out of love, is just beautiful. Anne’s dramatic apology to Rachel had me laughing and cheering, especially when it actually worked (somehow!). But the biggest moment was her meeting Diana, her first real friend. That whole scene with the “friends forever” vow and pinky promise in a sunlit field full of daisies was so adorable I could cry. You could feel how much that connection meant to her, especially after everything she’s been through. The art style elevates every moment, too, with those soft outlines, vibrant colours, and whimsical, slightly old-fashioned textures; it really does feel like a storybook in motion. Anne’s big emotions, outbursts, insecurities, and joy are portrayed with such care and honesty. She’s messy and dramatic, yes, but also incredibly sincere, and it’s so easy to root for her. Watching her start to find love and belonging after so much fear and uncertainty is quietly powerful.

Verdict: This episode gently leans into warmth and healing, with Matthew’s sneaky softness and Marilla’s slowly thawing heart building an emotional foundation. Anne’s apology to Rachel was pure theatre in the best way, and her friendship with Diana? Heart-melting. Visually lush and emotionally layered, it’s a beautiful episode.

• Episode 3: Looking Forward to Things Is Half the Pleasure of Them
• Release date: 19 April 2025
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • Anne’s highs and lows are on full display as she tangles with brooches, bullies, and friendship.

This episode was such a whirlwind, packed with charm, frustration, and classic Anne drama, and I loved every second. First off, they finally remembered they have an OP and ED, and they’re gorgeous! Those painterly textures and soft hues match the dreamy, storybook atmosphere so well. Marilla’s patience continues to be tested by Anne’s… enthusiastic presence, and this week it was the case of the missing brooch. I actually felt bad for Anne; she wasn’t lying. But her flair for the dramatic didn’t help her case much, especially with that over-the-top confession she cooked up. Luckily, Marilla finds the brooch, realises she was wrong, and lets Anne go to the Sunday school picnic. Cue one of the sweetest scenes yet, with Anne and Diana at the Lake of Shining Waters. Their “forever friends” moment was adorable. Then came school, and well… Anne’s dramatic tendencies returned in full force. I adored the chit-chat between the girls on their way to school. Her big reaction to Gilbert’s teasing (yes, he did cross a line!) was hilariously overblown but also painfully real for a girl carrying so many insecurities. The mini chalkboard smash? Iconic. Gilbert’s stunned face? Comedy gold. But also… poor Anne. She’s so used to rejection that everything feels personal and permanent. I love that Matthew and Marilla both showed growth in this episode. Marilla’s admission of her mistake was a truly sweet moment, and Matthew is just the best dad figure ever. Honestly, I don’t blame Anne for wanting to quit school, but it is an overreaction. I’m hoping this is just the first of many beautifully messy steps in her journey toward finding confidence and belonging.

Verdict: This episode delivers peak Anne energy, big feelings, even bigger reactions, and heart-tugging vulnerability beneath it all. From the missing brooch fiasco to the drama at school with Gilbert, Anne’s every outburst feels earned, even when it’s over the top. Diana remains a precious anchor, and Marilla and Matthew continue to be the best duo we could hope for. The chalkboard smash will go down in anime history, but what really lingers is how Anne’s story keeps swinging between joy and pain with incredible tenderness.

Classic★Stars

• Episode 1: Emotion 01: For My Own Soul
• Release date: 5 April 2025
• Crunchyroll
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • An injured boxer becomes a musical prodigy in the most extra, sparkly way possible.

An injured boxer ends up in the music department. to find he has a “gift.” Down on his luck, an injured boxer transfers into Gloria Academy after they offered him a full ride and paid for his medical care for his injuries. He thought he was going to be part of the sports department, but is surprised he has been signed up for the musical department and is going to be their Beethoven and join the team with Chopin, Liszt and Mozart. I already enjoy the voice acting and the music. The characters being named after famous composers is a fun addition to this music-based anime, well, at least picking up the names of composers. It makes me want to use that as an excuse to feature the composers on my site. I am looking forward to getting to know the characters more, and I hope the music remains fun. Beethoven’s boxing match was brought up quite a few times. I wonder if it will have actual relevance later on in the series if they are getting this backstory out of the way in episode one. I was not anticipating the steampunk elements. The visualisation station, or rather the’emosion system’ could be a lot of fun and really creative.

Verdict: This premiere hit all the right notes, absurd setup, flashy visuals, and enough heart to ground it. Beethoven’s unexpected transfer from the boxing ring to the concert hall sets up an outrageous but oddly compelling story. The whole “composer namesake” concept is fun, and the “emosion system” already feels like a plot device that could lead to some very creative and visually exciting scenes. The episode sets the tone: this series is not going to take itself too seriously, and honestly? That’s its charm. I’m in.

• Episode 2: Emotion 02: Nachtmusik Will Change Into Wings
• Release date: 13 April 2025
• Episode Score: ⭐⭐⭐☆☆ (3/5)
  • Brooding Beethoven, chaotic Mozart, and a spontaneous gender-bending skating performance.

This episode gave me exactly the kind of chaotic energy I didn’t know I needed. Tension is still thick between Beethoven and Mozart, and sharing a room definitely isn’t helping, Beethoven’s sulking intensity clashing with Mozart’s cheeky charm is enjoyable sitcom energy. Beethoven, bless his angry little heart, just wants to go back to boxing, but he’s trapped in this glittering music-and-idol life like it’s some cursed side quest. Meanwhile, Mozart’s out here vibing with everyone, including Misha, whose surprise mid-performance transformation had me cackling. The figure skating sequence? Ridiculous. Over-the-top. Gloriously extra. And I loved every second. The art style continues to lean into its beautifully polished absurdity, with clean, sharp lines, dramatic lighting, and dramatic framing that makes every interaction feel ten times more important than it is. It’s just the right level of dumb, and that’s what makes it work, like, sure, you could watch a serious show, or you could watch musical genius clones generate spontaneous idol performances while fighting about passions.

Verdict: This episode dials up the energy, the comedy, and the absurdity, and I loved every bit of it. The friction between Beethoven and Mozart is already sitcom-worthy, with Beethoven grumbling his way through everything while Mozart sparkles with chaotic charm. The idol performances feel like magical fever dreams, and Misha’s dramatic transformation mid-skate was a highlight that perfectly captures the show’s vibe.

• Episode 3: Emotion 3: Reality Through The Filtered Lens
• Release date: 19 April 2025
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • Chopin steals the spotlight with poetic burns, a surprise rap, and a galaxy-themed performance.

Chopin’s dialogue is quickly becoming my favourite part of the show, sharp, subtly savage, and with just enough dramatic flair to keep me hooked. When he dropped a rap number out of nowhere, I was floored… but honestly, thinking back on his theatrical quips and cool demeanour, it actually made perfect sense. This episode centred around Beethoven scrambling to pass a retake after falling behind academically, and while the guy is all muscle and stubbornness, a few intense (and hilariously tense) study sessions with Chopin pulled him through. Barely. What made the episode really shine, though, was Chopin’s performance, gorgeously animated with cosmic, celestial visuals that felt both haunting and aspirational. Beethoven’s arc is still balancing somewhere between emotional recovery and academic survival. Unlike Mozart’s playful teasing, Chopin holds Beethoven to a high standard, which makes their reluctant camaraderie even more compelling. It’s all building up nicely, and now that both Mozart and Chopin have performed, we’re just waiting on Liszt to light up the stage. Bring it on.

Verdict: Chopin and Beethoven’s unlikely study-buddy arc was surprisingly wholesome, with Chopin’s cold perfectionism clashing beautifully against Beethoven’s bullheaded drive. Their reluctant bond adds a great emotional beat to the series. The comedic timing lands, the music is fun, and the show’s just ridiculous enough to stay interesting. This silly little music academy is starting to feel like home.

Everyday HOST CLUB

• Episode 3: 3rd cup: “Symbol of Friendship”
• Release date: 19 April 2025
• TV er
• Episode Score: ⭐⭐⭐☆☆ (3/5)
  • A hilarious blend of satire and slapstick that captures the chaos and unglamorous truth of host club life.

Oh my gosh, these episodes are packed, chaotic, sharp, and always ready with a new punchline. This week gave us another peek behind the glittery curtains of host club life, and honestly? Being a helper looks rough. They’re running around doing all the grunt work, getting none of the glamour, and definitely none of the tip money. The humour hit especially well with that scene where a certain someone proudly reveals his “happey” tattoo, a gift from one too many drinks and zero spellcheck. It’s that universal moment of “drunken mistake turned permanent regret” that’s both hilarious and a little too real. The anime’s exaggerated, cartoonish art style makes everything ten times funnier, especially the deadpan reactions and hyper-expressive faces, which just sell the absurdity. The bold lines and stylised, chibi-esque character shifts add that perfect dose of slapstick timing.

Verdict: Episode 3 keeps the laughs coming with its quick pacing, visual exaggerations, and sharp humour. The “happey” tattoo moment is comedy gold, and the show continues to nail those absurd little details that feel weirdly relatable. With its bold, cartoonish art style and perfectly timed gags, Everyday HOST CLUB remains one of the most entertaining short anime picks this season, even if it went from a Friday release to a Saturday release.

Food For the Soul

• Episode 1: Welcome to the Food Culture Research Club
• Release date: 12 April 2025
• Crunchyroll
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • A soft and silly start packed with warm colours, cute chaos, and dangerously delicious katsudon

This first episode was an absolute treat, both visually and emotionally. From the moment Mako laid eyes on that sauced katsudon, I knew this series was going to be dangerous to watch on an empty stomach. The food animation is drool-worthy, with sizzling sounds, detailed textures, and lovingly drawn steam that makes every meal feel like a real feast. But underneath all the foodgasm moments is a sweet, slice-of-life story about friendship and finding your people. Mako Kawai, a reserved university student just trying to live a low-stress life, gets pulled into the orbit of her lively childhood friend Shinon, who remembers her more by her old (and slightly embarrassing) nickname than anything else. Add in Kurea, whose family runs the local katsudon shop, and Tsutsuji, and we meet our four-member minimum for the Food Culture Research Club, though hilariously, the club isn’t quite what it seems. Shinon just wanted a place to nap, but somehow she’s pulled together a group of girls who genuinely love cooking and sharing meals. There’s nothing groundbreaking plot-wise, but the episode shines with its warm, cosy vibe, expressive character animation, and vibrant backgrounds that bring campus life to life. The characters do look a bit young for university students, but that’s easy to overlook when everything else is this charming. Asmi’s opening theme is cheerful and full of that comfy weekend energy, and the humour, especially that perfectly timed post-credit twist, lands really well. Between the friendship, the light comedy, and the heavenly food, I already know this anime is going to be a comfort watch for the season. But one fair warning, not for someone who can’t stand the sound of people eating.

Verdict: A delightful and comfy introduction filled with mouth-watering food, found-family energy, and quirky CGDCT charm. Mako’s hesitant step into the Food Culture Research Club marks the beginning of something wholesome and very tasty.

• Episode 2: I Might Want to Cook
• Release date: 19 April 2025
• Episode Score: ⭐⭐⭐☆☆ (3/5)
  • Ramen, curry pilaf, and the joy of decorating a dusty clubroom, it’s food for the heart and soul.

Episode two served up another cosy, laughter-filled delight with a side of heartwarming camaraderie. With the university snooping around for signs of shady clubs, the girls suddenly find themselves needing to prove the Food Culture Research Club isn’t just an empty name, and naturally, that means actual food has to be involved. Watching them scramble to clean their dust-ridden clubroom and each bring in one quirky item to furnish it felt like a fun bonding ritual, and it gave us even more of that wonderful group chemistry. Mako, still shy but clearly growing more confident, finally got to do what she loves: cook for others. The last-minute Camembert curry pilaf was a hilarious mix of “wait, will this work?” and “oh no, it actually slaps,” which perfectly mirrors the show’s energy. Shinon’s chaotic antics continue to steal the spotlight, but the quieter moments—like Tsutsuji strumming her ukulele in the background and Kurea’s calm support—add a nice balance. The anime’s soft colour palette and round, expressive character designs really lean into the comfy CGDCT (Cute Girls Doing Cute Things) genre, making every scene feel like a warm hug. Even when the clerk called out their not-so-legit setup, it was more playful than punishing, giving the girls a chance to prove themselves in earnest. From shared meals to spontaneous cleanup montages, this episode captured the joy of forming new friendships and finding your place. Mako’s dream of cooking for others is coming true, one tasty plate at a time, and honestly, watching this hungry is a mistake I’ll keep making.

Verdict: The club finally cooks! This episode blends gentle humour, cosy aesthetics, and feel-good food moments into a warm slice-of-life story that’s already settling in like comfort food. Shinon’s chaos, Mako’s quiet growth, and Camembert curry somehow work perfectly together.

From Old Country Bumpkin to Master Swordsman

• Episode 1: The Old Country Bumpkin Goes to the Capital
• Release date: 5 April 2025
• Prime Video
• Episode Score: ⭐⭐⭐⭐☆ (4/5)

Beryl Gardenant, once a humble swordmaster tucked away in the countryside, finds himself swept back into a whirlwind of duty, legacy, and former students who’ve all somehow grown up into stunning and powerful women. The first episode brings us back into his life as he’s pulled, rather unwillingly, into the capital to become the special instructor for the Royal Order of Knights. It all starts with Allucia, one of his old pupils, dropping in and cheerfully volunteering him for the position… without asking, of course. What’s hilarious is how Beryl’s been isolated in his village for two decades, only for every former student he bumps into now to be a successful knight, adventurer, or commander, and, yes, most of them are very attractive women. It’s giving big “accidental harem of capable swordwomen” energy. Despite the overfamiliar fantasy setup, there’s something refreshing about Beryl’s quiet confidence. He doesn’t boast, doesn’t posture, he just lets his skill do the talking, like when he takes on Vice-Commander Henblitz in a grounded, well-choreographed duel. The mix of 2D and 3DCG animation in the fight was smoother than expected, with a weighty, almost realistic edge that mirrored Beryl’s style, less flash, more precision. The art design is crisp, with bold outlines and clean shading that leans into traditional fantasy aesthetics while giving just enough flair to feel modern. The character dynamics are already entertaining, especially with Allucia’s obvious crush and Surena’s tsundere sparks flying in the background. Beryl may be a reluctant hero, but he’s got a quiet magnetism that keeps this from being another generic “overpowered guy trains cute girls” show. Instead, it’s shaping up as a calm, character-driven fantasy where a middle-aged man finally gets his flowers… and maybe a wife, if his dad has anything to say about it.

Verdict: A solid introduction to a fantasy world that feels familiar yet comfortingly grounded, with just enough swordplay, sass, and subtle humour to promise an enjoyable ride. Beryl’s reluctant rise to prominence already has me rooting for this humble swordsman and his unexpected reunion tour.

• Episode 2: The Old Country Bumpkin is Astounded by a Wizard
• Release date: 13 April 2025
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • Character-driven warmth with just enough magical spice to keep things bubbling

Episode two leans further into the warm, understated charm that’s quickly becoming this series’s signature, blending character moments with just enough plot movement to keep things interesting. Most of the episode is dedicated to fleshing out Allucia’s connection to Beryl, and it’s honestly really sweet seeing how deeply she treasures her time learning under him, even if Beryl himself is hilariously oblivious to just how influential he was. The flashbacks weren’t just for sentiment either; they neatly reinforced Beryl’s quiet brilliance as a mentor without needing to overstate it. We’re also introduced to another former student, Ficelle, who stands out as a more reserved and magically gifted knight. Her skills in both swordplay and magic set her apart, and it’s cool seeing how her respect for Beryl echoes through her actions, even if she doesn’t shout it from the rooftops like Allucia does. The art continues to be a mix of clean and polished, with soft character expressions and just enough detail in the backgrounds to make the capital feel lived-in and mixed feelings with action scenes. The final cliffhanger sets up a potential showdown with Lucy, a fiery and confident knight who looks like she won’t pull any punches, magic included. Whether she’s testing Beryl or underestimating him, I’m excited to see how their dynamic plays out. The pacing is still relaxed, but that’s part of the charm. Even without a strong overarching plot yet, the thoughtful storytelling, expressive animation, and nostalgic music are more than enough to carry things forward.

Verdict: Episode two shines in subtlety, focusing on Beryl’s humble legacy through the eyes of his former students. Strong characterisation and touching flashbacks lay the emotional foundation, while the brewing magical duel adds a hint of tension on the horizon.

• Episode 3: The Old Country Bumpkin Weathers a Fierce Attack
• Release date: 19 April 2025
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • Finally digs deeper into one student’s past and emotional connection with Beryl, delivering the show’s best character work so far.

With the main introductions out of the way, this episode shifted gears into more character-driven scenes and emotional depth, particularly with Surena, who finally got her moment in the spotlight. Her dynamic with Allucia continues to be a fun recurring gag, all jabs and tension wrapped in admiration, but underneath that banter is something more heartfelt. We got a touching glimpse into Surena’s backstory, revealing just how much Beryl’s mentorship meant to her during her lonely and unstable childhood. It’s no wonder she’s so fiercely loyal; it wasn’t just training, it was belonging. Beryl, ever the reluctant legend, continues to deny his impact while everyone else around him is screaming, “You’re amazing!” He even manages to gain more respect despite losing a duel against Lucy, the pint-sized powerhouse mage whose smirk and explosive spells scream danger. Lucy gives off a mischievous vibe, with a childlike appearance that hides overwhelming power and probably centuries of experience. Visually, the episode held strong with expressive animation during key emotional beats, while the fights continue to mix 2D with 3D elements in a way that’s fluid enough to work, even if a little stylised at times and blurry at others. The plot still feels pretty relaxed overall, more “adventures of a humble swordsman who just can’t catch a break”. At this rate, Beryl’s just going to have to accept that retirement isn’t happening anytime soon.

Verdict: Episode three hits harder with emotional payoff and solid character growth, especially for Surena, while Beryl continues to gather quiet reverence through sheer competence. Even a “loss” in battle becomes a win in character building, keeping the comfy fantasy vibes alive while hinting at deeper lore.

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level

• Episode 1: Along Came a Goddess
• Release date: 5 April 2025
• Crunchyroll
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • A warm and goofy return that wastes no time wrapping us back in its soft, sweet fantasy hug

It’s been four long years, but Slime Taoshite 300-nen is finally back, and everything feels just as soft and comforting as I remember, like slipping into a well-loved blanket that smells faintly of pancakes and magic. The season premiere wastes no time bringing us back to Azusa’s warm, witchy household, where her family of girls and dragons continue to embody comfy isekai energy. This episode centred around making manju (Japanese sweet buns) for Falfa and Shalsha, though their initial attempts were… let’s just say, creatively challenged. Watching Azusa, Flatorte, and the others fuss over dumpling dough and fillings was honestly more delightful than the food itself, though once they got it right, the smiles from the slime sisters said it all. The second half takes a detour to the city of Vitamei for a surprise meeting with none other than Mega-mega, the overworked goddess who reincarnated Azusa to begin with. She’s now moonlighting as a travelling TED Talker-slash-comedy act and handing out virtue stamp cards, as gods apparently do in this world. The episode flows with its usual slice-of-life charm, skipping from sweet moments to silly gags, never in a rush to “do” much, because just spending time with these girls is enough. The pastel palette and soft, rounded character designs make every frame feel like a warm hug. Honestly, it was just lovely seeing Azusa’s family back in action, fumbling their way through a recipe and reminding us that this series is still the queen of wholesome nothingness, with just the tiniest sprinkle of isekai satire.

Verdict: Baking hijinks, adorable family moments, and whimsical goddess nonsense. Watching Azusa and the gang hilariously fail at making manju before absolutely nailing it for Falfa and Shalsha is the kind of wholesome chaos that this series does best. The slow pacing works in its favour, reminding us that this show isn’t about the plot, it’s about the peace.

• Episode 2: We Searched for an Undead
• Release date: 13 April 2025
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • Equal parts soothing and silly, this episode hits the heart while welcoming a few new faces to the mix.

Another cosy, feel-good adventure filled with sweet moments, new friends, and just a touch of mischief. Azusa continues to be the gentle anchor of her quirky household, but for once, she got to be the one receiving care, thanks to the tender, motherly spirit Yufufu, who showered her with affection (and, well, water droplets). It was heartwarming to see Azusa, usually the rock for everyone else, finally get a moment to be pampered and looked after. The spirit summit at Nanterre Lake was more of a silly gathering than a serious conference, but it gave the girls a peaceful excuse to go exploring and bond even more. The soft pastels and glowing lighting made the lakeside scenes look like a dreamy picture book, with especially charming expressions from the spirits and slime sisters. And then came Pondeli, the NEET undead catgirl who’s somehow adorable despite claiming she hasn’t worked in 40 years. Her reluctant introduction to the working world via the idea of a gaming café was hilarious. Azusa continues to find the kindest ways to motivate others without ever being pushy. Add in the return of the ever-fabulous Pecora and Beelzebub, and this episode was bursting with personality and soft chaos.

Verdict:

• Episode 3: We Went to Beelzebub’s House
• Release date: 19 April 2025
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • Wholesome chaos reigns as the girls clean up a demon mansion and Beelzebub finally gets her moment.

This might just be the best blend of chaos and heart so far this season, with a much-needed spotlight on the ever-iconic Beelzebub. She’s always had that posh and prideful presence, but here we got a peek behind the curtain, turns out our favourite demon bureaucrat is both hilariously relatable and surprisingly messy (literally and emotionally). From Azusa sneaking into Beelzebub’s office under invisibility magic (and blowing her cover thanks to snacks), to the girls discovering the vast, barely-used mansion she lives in, everything was peak comfy-isekai comedy. Beelzebub might be a high-ranking minister now, but she’s still a commoner at heart, someone who worked her way up and doesn’t quite know what to do with the space or prestige she’s earned. The mansion tour was gold: between Falfa and Shalsha wandering off into an actual forest disguised as a garden, and the hilariously intense cleaning contest between Laika and Flatorte, every gag landed with warmth. And let’s not forget Pondeli, who’s fully embraced her new role as a card game shopkeeper. Her custom game has already hooked the girls, turning casual duels into serious battles of pride and friendship. Visually, the episode kept its soft pastel palette and expressive character animation, with the mansion interiors feeling bright and inviting despite the cobwebs. Overall, this was a character-driven episode that delivered laughs, lore, and a huge dose of heart, exactly why we all fell in love with this show in the first place.

Verdict: An absolutely delightful blend of silly antics and surprising depth. Beelzebub finally steps into the spotlight, and her “mansion with rooms she’s too overwhelmed to use” vibe is hilariously relatable. The pastel visuals and comedic timing are still sharp, and the emotional beats, particularly the subtle look at Beelzebub’s insecurities, add heart to the hijinks.

I’m the Evil Lord of an Intergalactic Empire!

• Episode 1: Revenge
• Release date: 5 April 2025
• Crunchyroll
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • A scathing dive into betrayal and downfall, setting the stage for a villain-inspired isekai

I didn’t realise this one already had three episodes out, so I watched them all in quick succession, ouch. Clearly, the couple cannot communicate, and everything could have been avoided if either of them had been honest. Neither side is completely right, but the wife is definitely more in the wrong, especially for hiding who their daughter’s biological father actually is. That’s seriously messed up. It gets worse and worse with her, and by the time we reach the tipping point. This is very much a revenge-driven story at its core, with Liam as a fallen man getting a second chance in a far future world where nobles rule, mechs dominate battlefields, and societal rot still stinks just as badly as it did in his old life. He’s not flawless, but there’s something captivating about the way he carries himself; there’s this manufactured charisma, like someone trying really hard to play the role of a noble because he doesn’t yet believe he deserves it. And that gap between who Liam is and who he wants to be is where the show finds its bite. The premiere wisely dedicates nearly the entire first episode to Liam’s past life, and it hits hard. What starts out as the typical “black company” trope spirals into one betrayal after another until you’re just begging for him to catch a break, and that break finally comes in the most unexpected way: through death, rebirth, and mechs. The isekai twist isn’t the usual fantasy realm; instead, it’s a sci-fi galaxy brimming with space empires and sleek mechanical designs. The animation during the fight scenes, while sparse so far, holds promise with its smooth blend of CG and 2D. The emotional weight, the bleakness of Liam’s first life, and the potential for growth all hit just right.

Verdict: The series kicks off with a surprisingly grounded and heavy emotional gut punch, spending nearly the full episode showing Liam’s past life as it crumbles under the weight of his wife’s infidelity, corporate abuse, and betrayal. It’s harrowing, relentless, and well-paced, pulling us deep into his despair before offering the isekai lifeline. It’s a strong and refreshingly bitter premiere that immediately makes you root for Liam to rise above everything and burn it all down if he has to.

• Episode 2: Rebirth
• Release date: 5 April 2025
• Episode Score:⭐⭐⭐⭐☆ (4/5)
  • A bizarre yet fascinating setup turns tragic backstory into twisted space aristocracy, complete with a custom AI waifu.

The moment Liam, now a five-year-old noble heir, is gifted a fully customisable android maid complete with adult anatomy, you can’t help but do a double-take. Thankfully, even he questions how bizarre the whole thing is (bless him for calling out his own mother), but it still feels like the kind of anime setup that gets us judged. And then his parents? They dip, signing over guardianship, their debts, and every last bit of responsibility to their toddler son and this gorgeous maid named Amagi. Add in the heartbreak of his loyal dog being left behind, and the revelation that Liam was essentially born to shoulder their financial ruin, and this premiere starts hitting like a tragic novella. But it’s that intensity, that blend of sci-fi cruelty and personal betrayal, that gives the series its dark edge. Liam may be just a child, but he’s already expected to navigate interstellar politics and deep emotional scars. The art style leans classic meets sleek, with rich colour gradients, soft lighting, and elegant detailing, especially in Amagi’s character design, which walks the line between timeless refinement and sci-fi sophistication. And their relationship? Easily the best part so far. She’s dignified and loyal, while Liam, despite trying to sound commanding, still clings to traces of his former, broken self. There’s real chemistry in their scenes, part heartwarming, part unsettling. Liam quickly imposes his own version of Asimov’s laws, not for all of humanity, but just for her: serve only him, protect only him, love only him. It’s possessive, but there’s a vulnerability behind it. The worldbuilding also introduces us to the Holy Kingdom of Liebe and a mecha-clashing skirmish with space pirates, while Liam seems like he’s enjoying the power of his new position a little too much. He’s still just a boy trying not to get crushed by another life full of betrayal. The Guide, revealed to be a manipulative chaos-god-type figure, orchestrates all of this just to feed off misery, making Liam’s suffering part of a grander, darker joke. But Liam’s resolved: this time, he won’t be the one being stepped on. This time, he’ll be the one doing the trampling. A bold, morally grey start that sets up a space-opera revenge tale with flair—and a hell of a lot of potential.

Verdict: We enter Liam’s new life as a child noble, and it immediately slaps us with one of the most questionable parenting decisions in anime: gifting a five-year-old a hyper-detailed android maid. What follows is part tragic and part intriguing. The visuals shine here with softer palettes and clean lighting that contrast with the darker undertones of abandonment and manipulation.

• Episode 3: Way of the Flash
• Release date: 5 April 2025
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • Timeskips, sword frauds, and Liam’s first kill, this episode sharpens its edge while keeping the space opera vibes strong.

We were bracing for a six-month jump, and instead got a full two-year timeskip right out of the gate! In that time, Amagi not only kept Liam’s territory running like clockwork but quietly built up a sci-fi arsenal behind the scenes, including prepping Mobile Knights. Sure, they’re outdated models, but for Liam, they’re the start of something bigger. His entrance in this episode is pure anime cool: a flashback to his past trauma, followed by a decisive slash that cuts down a corrupt noble, echoing the betrayal he once faced. It’s Liam’s first real kill in this life, and it lands with poetic weight; he’s drawing lines in the sand about what he will and won’t tolerate. Even more amusing is his “sword master,” Yasushi, a complete fraud with flair, whose lies Liam either blissfully believes or is letting slide for fun, hard to say, but it makes for great tension and laughs. Then we got another timeskip, three years of sword training, bringing our total to five years since Liam’s reincarnation. The anime maintains a playful tone overall, leaning more towards space fantasy than grounded sci-fi, complete with giant starships that defy physics and logic with a glorious disregard for realism. But hey, when the pacing is this sharp and the worldbuilding this chaotic-fun, it’s hard to complain. The animation is crisp, with warm colour gradients and that stylised gleam that makes swords shimmer and eyes sparkle dramatically. I’m loving the gradual evolution of Liam from bitter survivor to decisive ruler, and if building an AI harem army is on the horizon, well, who’s really surprised? The show is managing its mix of comedy, revenge, and galactic politics with surprising finesse, and if it keeps this up, it might just become one of the sleeper hits of the season.

Verdict: This episode jumps forward years at a time without missing a beat. The comic highlight is “Master” Yasushi, an obvious fraud of a sword instructor who somehow doesn’t get called out…yet. The pacing is quick but satisfying, and the art stays consistently sharp with beautifully framed shots.

Kaijuu Sekai Seifuku

• Episode 1: I want you to clean up.
• Release date: 5 April 2025
• YouTube
• Episode Score: ⭐⭐⭐⭐⭐ (5/5)
  • Cute kaiju, messy chaos, cleaning has never been this adorably doomed.

The first episode kicks things off with a delightfully simple premise: the kaiju kids are told to clean the house… and absolutely bungle it in the most endearing way. Trusting them to tidy up was always going to be a gamble, and unsurprisingly, their version of “cleaning” just means stuffing everything into the nearest closet. Honestly? Too real. The short, sketch-style animation is charming in its simplicity, with rounded designs, muted pastel colours, and minimal facial features that somehow make it all more relatable and universally funny. The main character (our nameless office worker caretaker) doesn’t even have a face, which only adds to the quiet absurdity of being a working adult just trying to survive life with four hyperactive monsters: Mera, Gooska, Aniki, and Sugar. Their chaotic energy is balanced by the short runtime, keeping things light and punchy. It’s already clear that this is going to be the kind of show that sneaks a smile onto your face, no matter your mood.

Verdict: A quirky, lovable start, relatable messiness, low-stakes charm, and instant serotonin.

• Episode 2: I want to go on a diet
• Release date: 13 April 2025
• Episode Score: ⭐⭐⭐⭐⭐ (5/5)
  • The struggle is real… especially when your kaiju roommates help you work out

This episode had me giggling in solidarity. Our tired protagonist decides it’s time to work out, and of course, the kaiju rush in to “support” her… by turning everything into even more of a challenge. Between trying to plank while monsters climb onto her back and navigating their well-meaning interruptions, it’s clear her fitness journey isn’t going to be smooth. The humour is light and punchy, carried by the kaiju’s expressive reactions and playful pacing. The art continues its soft, minimalist aesthetic, featuring pastel backgrounds, thick lines, and subtle emotional cues through visual gags rather than detailed animation. What really made this episode shine was its relatability. Anyone who’s ever tried to do home workouts around pets (or children!) knows this pain all too well. Sugar’s mysterious new “skill” adds a cute surprise to the mix, too—this series loves its little punchlines.

Verdict: Wholesome chaos and relatable exercise woes with a dash of monster mischief.

• Episode 3: I want to go outside and play.
• Release date: 19 April 2025
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • A peaceful day at the park turns into a sweet monster bonding session.

This episode was an adorable mix of new experiences and wholesome chaos. The monsters get to experience the outside world with their master, and everything from the stairs to the swings becomes a mini-adventure. Aniki takes the careful route, while Guusuka yeets himself down the stairs with no fear, classic. Watching the kaiju nervously approach the swing set was precious, and once they finally got the hang of it (three on one swing, of course), the payoff was worth it. The show’s soft, childlike art style feels especially fitting here, giving everything a warm, sunset glow that evokes gentle nostalgia. There isn’t really spoken dialogue, but the timing, music, and expressive motions say it all. It’s all about those little moments of support, play, and quiet joy, and it works wonderfully in its two-minute format.

Verdict: Sweet, silly, and heartwarming, this episode is a soft hug in motion

Kowloon Generic Romance

• Episode 1
• Release date: 5 April 2025
• Crunchyroll
• Episode Score: ⭐⭐⭐⭐½ (4.5/5)
  • A beautifully moody opener that blends surreal romance with sci-fi melancholy, but holds back just enough to keep you guessing.

As per normal, I went in totally blind and wasn’t expecting to get this hooked. This first episode hit like a quiet storm. The character designs immediately reminded me of After the Rain, and wow, Reiko’s design is absolutely gorgeous, like… she’s awkward, a little dishevelled, and completely magnetic. Set in a stylised, dreamlike version of Kowloon Walled City, the art direction leans heavily into nostalgia and urban density, giving everything a hazy, tactile texture that somehow makes even a bowl of soup look emotional. The chemistry between Reiko and Kudou is what drives the episode, with all those subtle glances, teasing, and misread signals that hint at something deeper, especially when Kudou starts acting like he knows her way more intimately than he should. There’s a melancholic, almost surreal tension underneath their office banter and back-alley strolls, and then bam, that kiss happens, and then he pushes her away, claiming he got her mixed up with someone else. And then the twist? A photo that seems to show Reiko in a seemingly forgotten past life, engaged to the very man she’s just getting to know now. The worldbuilding is peppered with weird, dystopian hints (Generic Terra? A fake Earth?), and the goldfish symbolism already screams “memory loss” with a capital M. Reiko’s missing past, Kudou’s lingering familiarity, and the unsettling sci-fi undercurrent—everything is layered, suggestive, and quietly haunting. I do feel bad for Reiko’s gold fish, though, in that tiny jar.

Verdict: An atmospheric and intriguing debut that wastes no time establishing a soft but heavy emotional tone, Episode 1 drops us straight into the dreamy dissonance of Kowloon Walled City. The visual direction is stunning, think warm filters, retro detailing, and a tactile kind of stillness that makes even the air feel thick with memory. A solid and quietly arresting start.

• Episode 2
• Release date: 13 April 2025
• Episode Score: ⭐️⭐️⭐️⭐️½ (4.5/5)
  • Subtle, smart, and emotionally textured

The second episode of Kowloon Generic Romance deepens the mystery and character drama in all the right ways, building off the subtle tension of the premiere with a more introspective, emotionally tangled chapter. Reiko continues to be an enigma even to herself, and the way she’s instinctively drawn to things like those pearl earrings, items that once belonged to the “other” Reiko, hints at something far deeper than just amnesia. Maybe fate, maybe something much stranger. Her new friendship with Yaomei brings warmth and relatability to the episode; Yaomei is confident, glamorous, and grounded, the kind of person who would light a cigarette and dish out love advice in the same breath. There’s something beautifully uncanny about this world – the retro-futurist aesthetic, the dated appliances and cluttered offices, the golden tones. It’s romantic, but also a little sad. And then there’s Kudou. You really feel for him this week; he’s still haunted by the woman Reiko used to be, and having her possibly physically there, yet emotionally disconnected, is heartbreaking. The tension between them snaps during that earring scene, only to melt into something tender again over a delicious meal (seriously, the honey lemon chicken looked so good). The mood takes a darker turn with the introduction of a deeply unsettling “anti-ageing consultant,” whose snake-like grin and invasive energy leave a pit in your stomach. Clearly, he knows more about Reiko than he should. Clone theory? Cyborgs? Something more existential? This show’s doing a masterclass in slow-burn sci-fi intrigue, and I’m fully along for the ride. The animation continues to blend old-school charm with modern polish.

Verdict: The show hits its stride here, slowing down just enough to breathe with its characters. The art style continues to charm with its ‘90s flair, painted walls, and amber-hued twilight tones, giving Kowloon the look of a world slipping between reality and dream. This is slow-burn sci-fi at its most elegant.

• Episode 3
• Release date: 19 April 2025
• Episode Score: ⭐⭐⭐⭐⭐ (5/5)
  • Equal parts disturbing, emotional, and beautifully eerie

Episode three of Kowloon Generic Romance amps up the tension and mystery to full throttle while still keeping that deliciously grounded slice-of-life charm. We’re finally starting to see the cracks form in Reiko’s reality, her identity, her relationships, and this strange world she’s trying to piece together. The masked man, revealed to be Tao, gave off serious creep vibes at first, but clearly knows more about Reiko’s past than he lets on. That kiss from Miyuki Hebinuma was all kinds of disturbing, and the way it was animated, complete with his split snake-like tongue, was deliberately violating. Reiko being kissed without consent again is really starting to feel like a pattern, and the implication that he might’ve slipped something into her mouth just makes it worse. That man is far too sinister to be dismissed. Meanwhile, the emotional friction between Kudou and Reiko is finally breaking through; she confronts him about who she is, and maybe even confesses how she feels, but the weight of what’s missing, her memories, her past self, still looms large. The sunflower metaphor hit like a ton of emotional bricks. And yes, Reiko A and Reiko B having different voice actors is a brilliant touch that reinforces how fractured her sense of self really is. The animation in this episode is as on-point as ever, especially during the quieter moments, like that lingering shot of the goldfish on the desk or the overhead cityscape behind Miyuki’s snake-tattooed back. Even the little background touches like office plants and faded wall textures add to the uncanny atmosphere, making the city feel real but slightly off. And then there’s Xiaohei… her reaction to Reiko’s offer about moving felt too scripted, almost robotic, like a defence mechanism. The floating cube above Kowloon is clearly part of something bigger, Maybe we’re in a simulation, maybe this is a rebuilt cityscape, or maybe something darker still. As the series delves into sci-fi thriller territory, it does so with confident steps, tying emotional stakes and existential dread together beautifully. It’s definitely building toward something big, and every episode so far has just made that anticipation stronger.

Verdict: The writing is bold, not afraid to play with discomfort and violation in the service of a greater narrative mystery. Reiko’s confrontation with Kudou finally gives her some agency, and the weight of her missing memories hits harder than ever. Meanwhile, visual cues continue to whisper that something is deeply wrong with this city, from Xiaohei’s robotic response to the uncanny brightness of Reiko’s goldfish. Gorgeous, uncomfortable, and totally compelling.

Mono

• Episode 1: mono Trip
• Release date: 12 April 2025
• Crunchyroll
• Episode Score: ⭐️⭐️⭐️⭐️☆ (4/5)
  • A cute and chaotic start with great vibes, strong characters, and a standout blend of humour, heart, and heartfelt hobbyism.

Mono kicks off with a delightfully quirky and heartwarming premiere, centring on high schooler Satsuki “Sacchan” Amamiya, the unexpected saviour of her school’s photography club, and her new companion An Kiriyama, who clearly joined more for Satsuki than for shutter speeds. The story wastes no time in throwing us into their dynamic, awkward, silly, and full of charm, as they set off on their first scouting trip with a wonky 360° camera and a community cat named Taishou, who somehow ends up wearing a helmet cam and taking a ten-day photography sabbatical. The visual style is simple but expressive, blending soft lines and pastel tones that evoke a gentle nostalgia, perfect for a story about capturing fleeting moments. Their destination? A candy shop run by Haruno Akiyama, a former mangaka turned reclusive, whose driving skills should honestly be illegal. But amidst her unfiltered madness is a warmth that brings the girls out of their shells, and by the time they’re helping her model for manga reference shots, you really feel the unlikely but sweet bond forming between them. The episode closes with a stunning time-lapse of Mt. Fuji, beautifully animated and emotionally resonant, capturing the awe of that first moment when you truly see something through a lens for the first time.

Verdict: It’s funny, heartfelt, and just a little unhinged, with the kind of found-family chemistry and scenic vibes. A super cute and promising start!

• Episode 2: Making of Some Aerial Photography! / Visiting A Classmate, 3000 Leagues – Motovlog Part 12
• Release date: 19 April 2025
• Episode Score: ⭐⭐⭐☆☆ (3/5)
  • A wholesome follow-up that balances slice-of-life antics with surprisingly creative photography and great new character energy.

Episode 2 of Mono builds beautifully on the wholesome vibes of its premiere, introducing new characters and doubling down on its chill, heartfelt energy. With the photography and cinema clubs both facing the axe due to low member count, the girls find an unexpectedly clever solution: just merge them! Thus, the CinePhoto Club is born, and with it comes Sakurako, a new addition who is delightfully deadpan and somehow manages to steal every scene she’s in by doing… absolutely nothing. Her dry reactions and the comedic timing of the show’s narration cutting off the moment she agrees to anything had me every time. Meanwhile, Haruno reconnects with her old friend Kako, a free-spirited bike vlogger, and their countryside biking adventure. The use of real-world locations in this show continues to shine—there’s something so grounding and nostalgic about the lovingly detailed backgrounds, especially during that scenic hilltop ride. Haruno getting inspired to write a travel manga after experiencing Kako’s carefree lifestyle was such a sweet and personal beat. Back at the club, An and Satsuki are still their chaotic selves, using a kite to take aerial shots (An yelling gleefully while running with the camera was just chef’s kiss). It’s quirky, it’s creative, and it totally works. The visuals remain simple but polished, with soft colours and expressive animation that keeps the tone light and comforting. With Sakurako and Kako now in the mix, the cast feels complete and full of potential for more silly, sincere, and slightly reckless adventures. Oh, and the ED? An absolute banger. Catchy as heck and visually charming.

Verdict: This show is such a feel-good surprise. The second episode cements the show’s tone, equal parts chill and charming, with a lovable cast and low-stakes fun that feels like a warm hug.

Unexpectedly Naughty Fukami

• Episode 1: A guy to suit Mr.Perfect
• Release date: 5 April 2025
• Coolmic
• Episode Score: ⭐⭐⭐⭐⭐ (5/5)
  • Bold, unfiltered, and way spicier than expected

Watching this episode reminded me that I had read the manga for this. I was not anticipating an English dub when I hit play. Oh, oh, right, this is hentai, my bad. It feels a lot more explicit than the manga. I also did not anticipate this being entirely uncensored. They chose some interesting camera angles and points to focus on. I will not be providing impressions of each episode, so here is episode one of three so far and that’s all I am going to say on this, here, but yes, I watched all three currently released episodes.

Verdict: Even knowing the manga, the anime took me by surprise with its unapologetically uncensored scenes and polished direction, yes, including those camera angles. . It’s wild, it’s hot, and it knew exactly what it wanted to be. No notes, just vibes from a Fujoshi.

Yaiba: Samurai Legend

• Episode 1: Meeting Yaiba
• Release date: April 2025
• Hulu
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • A roaring, ridiculous introduction that embraces vintage shounen chaos with gorgeous modern animation.

The first episode of Shin Samurai-den Yaiba kicks off with delightful chaos, blending old-school shounen energy with gorgeously modern animation. Wit Studio really went all-in here; every frame pops with fluid action, expressive character work, and warm, nostalgic colours that evoke the feeling of flipping on a Saturday morning cartoon. We meet Yaiba Kurogane, a wild, sword-swinging jungle boy trained by his drunk but formidable dad Kenjuro, and their tiger companion Kagetora, all of whom end up in Tokyo after hilariously getting shipped in a crate of bananas. It’s absurd and amazing. From there, things spiral into wonderfully unhinged territory: Yaiba fights a dojo student at full force, is thrown into school life he doesn’t understand at all, and gets in Sayaka Mine’s personal space way too quickly. Sayaka’s family, including her loud grandma Fuji (Goinkyo), welcomes the madness, kind of. The episode doesn’t shy away from slapstick or exaggerated reactions; it leans hard into the charm of 80s/90s anime comedy, with loud yelling, big expressions, and chaotic heart. Yaiba’s naivety makes him endlessly entertaining, especially when he challenges high school sword prodigy Takeshi Onimaru, setting up what’s sure to be a legendary rivalry. Honestly, this whole setup feels like a love letter to classic shounen, wacky premise, over-the-top characters, and high-energy fun, but presented with today’s animation polish. This captures that childhood spark of adventure and mischief, and it’s already shaping up to be one of the most fun shows this season.

Verdict: The premiere of Shin Samurai-den Yaiba launches with kinetic energy and nostalgic flair, mixing absurd jungle antics, classic overreactions, and fish-out-of-water comedy as Yaiba and his tiger companion crash into Tokyo life. With expressive facial animation, vivid jungle-to-city colour palettes, and whip-crack comedic timing, it plays like a Saturday morning fever dream. It doesn’t go deep yet, but it charms you completely with its over-the-top heart.

• Episode 2: Fujinken Reborn
• Release date: 13 April 2025
• Episode Score: ⭐⭐⭐⭐☆ (4/5)
  • The rivalry begins; loud, absurd, and totally addictive.

Yaiba turns the chaos dial up to eleven in the best possible way, embracing its retro roots with slapstick brilliance, fast-paced action, and an escalating rivalry that’s already shaping up to be legendary. Right out the gate, Yaiba is on a warpath to get a fight out of Onimaru, who wants absolutely none of it, but of course, that only fuels Yaiba’s determination, leading to increasingly absurd pranks, from stealing his kendo gear to literally burying him alive in a pit full of bouncy balls. The comedic timing is razor sharp, with gags like their failed house visits (they missed each other by seconds trying to challenge each other at home) and Yaiba slamming face-first into a street sign mid-chase, landing with old-school anime flair. It’s peak ’90s-coded energy, updated with stunning modern animation. Full of dynamic camera angles, especially during the school hallway brawl and their wild duel across Tokyo streets and moving vehicles. The animation hits sakuga levels when the boys finally clash with wooden swords, but there’s a darker shift too: the episode ends with Onimaru unearthing a legendary katana linked to the wind god, and the moment he touches it, he begins to transform into something…monstrous. Horns and all. It’s a shocking twist that repositions Onimaru as both victim and villain, making his descent feel earned, even sympathetic. Meanwhile, Yaiba, wild as ever and clearly the instigator, is both hilarious and borderline insufferable, equal parts feral gremlin and relentless troublemaker. The vibrant colour palette, expressive designs, and cartoonish exaggerations give the show a timeless energy, while the more emotional beats, like Onimaru’s pigeons being attacked or his tiger brawl, add surprising weight. Whether you’re here for the laughs, the action, or the demon-sword drama, Yaiba is serving it all with nostalgic charm and modern polish.

Verdict: The second episode dials up the chaos as Yaiba turns into a one-man prank machine trying to bait Onimaru into a duel, and it’s hilarious. From mistaken house visits to face-planting into signs, it’s peak 90s shounen energy with sakuga flair.

• Episode 3: Another Maken
• Release date: 19 April 2025
• Episode Score: ⭐⭐⭐⭐⭐ (5/5)
  • The series finds its core, big stakes, emotional tension, and absolute sakuga heat.

This marks a fiery turning point where the playful chaos gives way to something far more intense, and honestly? It rules. After his humiliating defeat, Onimaru returns to school not just as a pissed-off rival, but a full-blown oni, empowered by the thunderous might of the Raijinken, and absolutely ready to throw down. The shift in tone is jarring in the best way. Gone is the comedic bickering, replaced by genuine stakes, shockingly visceral moments (blood, in this show?!), and a fight sequence that tears through the school, accompanied by howling wind and razor-sharp animation. Onimaru’s not just powered up physically; his ego is on fire too, and watching him descend into villainy is… kind of tragic? Meanwhile, Yaiba gets absolutely steamrolled, forced to flee with bruised pride and bruised everything else, only to get a tip-off from his conveniently reappearing dad about the Fujinken, the sword of the Wind God, said to counter the thunder blade. This leads to the introduction of pint-sized legend Musashi Miyamoto, an ancient swordsman who’s spent centuries waiting for a worthy successor. The animation here continues to be top-tier: fluid, expressive, and bursting with 90s character energy, polished to a modern sheen. The colour palette pops especially during the stormy duel and mountain training segments, and the camera work during the street fight? Absolute sakuga heaven. Tonally, the series is now balancing slapstick humour with real emotional tension, especially as Onimaru’s arc deepens from “school rival” to “tragically corrupted warrior.” The rivalry is no longer just comedic; it’s mythic. The visual direction, reminiscent of Detective Conan but wilder and more expressive, helps sell both the cartoon antics and the sharp, cinematic fights.

Verdict: The tonal shift is stark and refreshing, giving weight to their rivalry with real danger. The visuals are electric, the fights are wild, and the lore finally kicks in as Yaiba meets pint-sized legend Musashi and gets handed his own god-forged blade. There’s still slapstick and silliness, but now it’s wrapped in a storm of mythic energy and character stakes. This is no longer just a retro comedy—it’s a full-blown samurai saga in motion.

Final Thoughts on this week Saturday’s anime releases

This week felt so rewarding. Getting through this hefty Saturday lineup was no small feat, but the payoffs were absolutely worth it. The consistency across many shows has been incredible, Anne Shirley, Kaijuu Sekai Seifuku, and Yaiba: Samurai Legend in particular delivered emotional highs, artistic charm, and some truly memorable scenes. The tonal diversity across the lineup, from the nostalgic whimsy of Mono to the mythic rivalry ramping up in Yaiba,made each episode feel fresh and distinct.

I’m especially pleased with how From Old Country Bumpkin to Master Swordsman continues to grow into its quiet emotional depth, and Classic★Stars is slowly becoming a chaotic gem of musical madness. Honestly, this Saturday might be shaping up to be the strongest day of the week this season. The only real challenge? Trying not to get emotionally whiplashed going from warm food anime to cosmic memory trauma in Kowloon Generic Romance. Still, I wouldn’t have it any other way.

Saturday’s Anime I Am Most Looking Forward to Next Week:

Easy pick for me, I am looking forward to being all caught up with Black Butler (Kuroshitsuji: Public School Arc)! I’ve been holding off until I had time to fully enjoy it, but now that I’ve caught up on everything else, I can finally dive into Ciel’s latest arc with my full attention. It’s always such a treat to see how the animation team handles the delicate Victorian aesthetic and newer story arcs. Then once I am caught up I can start watching the new arc that is now airing and add that to this massive line up.

While I’m thrilled to finally set time aside to catch up on Black Butler, if I had to pick from the Saturday lineup I’ve already been following, it has to be Kowloon Generic Romance. Every episode peels back another layer of this dreamy, haunting world, and I find myself thinking about Reiko long after the credits roll. The duality of her existence, her fading past, her uncertain present, her fractured identity, is unfolding in such a mesmerising way. Episode 3 delivered emotional punches, visual symbolism, and some seriously uncomfortable twists (that kiss? Ugh, still recovering). But it also gave Reiko agency, and I’m so eager to see how she handles what’s coming next. There’s clearly a sci-fi mystery brewing behind the melancholy romance, and the visuals continue to absolutely shine with their vintage charm and eerie softness. Whether it’s clone theory, memory implants, or something even weirder, I’m here for all of it. Saturday can’t come fast enough.

Any I’m considering binging instead of watching weekly or dropping outright?

At this point, I’m leaning toward binging I’m the Evil Lord of an Intergalactic Empire! instead of watching weekly. It’s super compelling and I’m loving the dark, morally twisted vibe, but the rapid timeskips and dense worldbuilding might actually flow better as a binge.

As for drops, I’m definitely stepping back from weekly coverage of Unexpectedly Naughty Fukami, not because it’s bad (it’s extremely confident in what it is!), but simply because I’m not comfortable reviewing hentai content in a weekly reflection format. I’ll leave that one in the “off-screen viewing” pile and maybe a review of it as a whole, later.

Fleeting Light, Framed in Stillness: Spotlight on This Week’s Header Image

For this week’s Saturday Seasonal Anime Catch-Up, I chose a warm, golden sunset from Mono as the header image, and I couldn’t be happier with how it sets the tone. This still captures that quiet, reflective energy that flows through the post: the sense of closure after a long journey, the calm that comes after catching up on a packed watchlist, and that emotional warmth many of the shows brought me this week.

This particular shot, sunset falling over soft mountain ridges, is from a transitional moment in the show, one that lingers not because of what’s said, but because of what’s felt. And that’s exactly what I wanted this week’s roundup to evoke.

It’s also a visual reminder of how anime scenery, even in a quiet CGDCT like Mono, can hit with such poetic resonance. So while the lineup was full of chaos (Yaiba, Classic★Stars) and emotional twists (Kowloon Generic Romance, Anne Shirley), this header is here to gently say: “You made it through. Breathe it in.”

What have been your thoughts on Saturday’s anime releases? Are you following along with the season?

As I look back on this week’s Saturday anime lineup, I’m struck by how full the day feels, full of emotion, variety, and potential. From the tear-tinged growth of Anne Shirley to the surreal ache of Kowloon Generic Romance, this Saturday brought a beautiful spectrum of stories, each offering something a little different: warmth, wonder, chaos, and catharsis.

Some episodes hit like a soft breeze (Food for the Soul, Mono), others like a flash of lightning (Yaiba, Evil Lord of an Intergalactic Empire), but together they paint a vivid picture of what Spring 2025 is shaping up to be: bold, heartfelt, and incredibly watchable. I’m still adjusting to the sheer volume of content, but moments like Chopin’s cosmic performance and Beelzebub’s messy mansion remind me why I love doing this in the first place.

Thank you for taking the time to explore these shows with me. Whether you’re watching along weekly or just browsing for what to pick up, I hope this reflection helped you connect a little deeper with your own anime journey this season.

Until next Saturday, rest well, stay curious, and never stop chasing the stories that move you.